Bringing Back the Best Decade in Music, Why My Songs Feel Like the 80s with a 2025 Edge
By Chris Green, American Singer-Songwriter
They say you can tell the best years of a dad’s life by the clothes he wears. If his prime was in the 80s, chances are, he is still rockin’ those cut-off jeans. Guilty as charged.
For me, the 1980s were everything. I went to high school during the golden age of rock and roll, Bryan Adams, Journey, Def Leppard, Bruce Springsteen and the edgy wave of British bands like The Cure, Duran Duran and U2. That was our world. That was our identity. The music had hooks, heart, grit, and soul. It made you feel something.
But honestly, my story starts even earlier, back when I was a preteen, sitting with headphones on, completely transfixed by Journey’s album Escape. There was one song in particular that hit different: “Mother, Father.”
When Neal Schon tore into the guitar solo in that song, it didn’t just impress me, it rewired me. I had never heard someone pull emotion out of strings like that. I must’ve played that track a hundred times in a row. Something happened in my head that day. Something clicked. And I remember thinking, One day… I want to make music that makes someone feel like this.
Later, in high school, I lived and breathed music with my best friends Eddie Orson and Craig Weingart. We would drive around in Eddie’s blue Camaro with the music cranked so loud it shook the windows. I still remember Craig yelling, “My ears are going to blow out!”, but never once asking to turn it down. We were not just listening to music. We were living it.
Prince was another revelation. Before Purple Rain made him a global icon, I was already deep into albums like Dirty Mind and Controversy. His blend of raw funk, scorching guitar, and soul was something I felt. Every track hit like fire.
And then there was Phil Collins, both solo and with Genesis. His drumming. His voice. His vulnerability. It stayed with me. I know for a fact that one of my songs, Hold My Breath, carries his influence in its chorus. Without him echoing in my mind, it would not have sounded the same.
And if you are talking about big American rock energy, with heart on your sleeve lyrics and stadium sized ambition, you have got to talk about Bon Jovi. Jon Bon Jovi was, and still is, a major influence for me. That Jersey boy grit. That drive. That voice that could take a love song and turn it into an anthem. From the Stone Pony to stadiums filled with 80,000 fans screaming “Livin’ on a Prayer,” he was the guy who proved that music with feeling, with fire, could reach the masses. He moved me then. He moves me now.
And it is extra special that my creative partner, Matthew Goldberg, shares that love. Matthew has actually performed on stage with Jon Bon Jovi and Richie Sambora, which blows my mind. He grew up on those songs too, and it is clear when you listen to the layers in our tracks, there is Bon Jovi DNA in there.
Now, in 2025, I stepped into the studio, not to chase trends, but to revive the soul of the music that shaped me.
Every instrument you hear on my songs is played by hand, no loops, no shortcuts. Just raw talent, sweat, and honest emotion. We tracked each song in two-day sprints, layering harmonies, building textures, and chasing that magic.
We brought in Bob St. John, a Grammy-winning producer and engineer who helped define the era with artists like Extreme, Collective Soul, Duran Duran, Journey and Aerosmith. Bob didn’t just watch the 80s happen, he helped make them. Now, he’s helping shape my sound.
And to complete the vision, we turned to one of the greatest mastering engineers of all time, Ted Jensen.
Ted’s legacy goes back to Hotel California with The Eagles, and from there, he has mastered everything from Green Day to Norah Jones to The Rolling Stones. And yes, he has worked with legends like Bruce Springsteen, and country powerhouse Keith Urban, bringing their records to life with depth, clarity, and soul. His precision, taste, and sonic brilliance are legendary.
He mastered my song Promise Me, and also worked on two more tracks that are coming soon. Having Ted Jensen be part of my journey has been nothing short of surreal. His touch brought clarity, warmth, and power to the final mix, and honored the emotion we poured into the music. The result? Songs that feel like the 80s but sound like 2025.
Catchy choruses. Ripping guitar solos. Bridges that matter. Endings that explode.
Because that is how we used to do it, and it still works when it comes from the heart.
This is not just music, it is a mission. To bring back a time when music moved you. When it told the truth. When it mattered.
You and Me Song Link